I No Gree, I No Gree; Na Whose Shirt go Tear. 

Burna Boy and Cubana Chief Priest, the battle continues!!
An intense feud has sparked public interest in Nigerian culture, where music, celebrity, and social media are frequently intertwined. This is more than just a conflict of personalities; it is about the intersection of celebrity, pride, and public perception. The protagonists of this story are none other than Grammy-winning musician Burna Boy (Damini Ogulu) and the flamboyant socialite and businessman Cubana Chief Priest (Pascal Okechukwu).

The dispute began in early 2025, when Burna Boy posted a remark on his Instagram account that was widely taken as a direct dig at Cubana Chief Priest. Referring to him as "Owerri Rick Ross," Burna Boy's statements were interpreted as a criticism of Chief Priest's size and possibly his lifestyle, drawing parallels to the American rapper noted for his lavishness and physique. This appellation did not sit well with Cuba's Chief Priest, who responded with a series of posts that turned the incident into a public show.

During the escalation, the Chief Priest responded quickly and sharply. He accused Burna Boy of jealousy and even questioned the legitimacy of Burna's Grammy triumph, claiming that the award was not as significant as it appeared. He also went down memory lane, telling Burna Boy and his fans of how he paid the singer N1 million to perform at his birthday celebration in 2018, hinting that Burna had come from modest beginnings. The socialite also claimed that Burna Boy was a debtor, particularly regarding jewelry purchases, which Burna Boy categorically rejected, claiming that he pays for all of his purchases ahead.

During this exchange of words, Burna Boy made an unexpected gesture of philanthropy. He promised and subsequently gave $30,000 to a man claiming to be Cubana Chief Priest's brother, Bethel Okechukwu, an Alaba Market phone repairman. Some saw this act as an attempt to tarnish Chief Priest's public image by spotlighting his alleged neglect of family. However, Cubana Chief Priest swiftly clarified that the man was not his biological brother, reinforcing his position that he owes nothing to his siblings, who, he believes, are doing well for themselves.

The feud has not only been entertaining, but it has also prompted a larger discussion about celebrity feuds, the ethics of public debate, and public personalities' obligations. Netizens and fans have taken sides, with some praising Burna Boy's charity and others criticizing the conflict as a diversion from more urgent matters. Calls for a truce have been loud, with many asking both parties to resolve their differences discreetly to avoid creating additional drama.

This rivalry, while entertaining, highlights various cultural and societal difficulties in the Nigerian context:

It demonstrates how social media can intensify personal disagreements, turning them into public spectacles that can instantly boost or destroy reputations.
There is a rising debate about what public people owe to their supporters and society as a whole, particularly when it comes to handling personal conflicts.
The feud indirectly touches on ethnic identities and class disparities, with comments made by both parties potentially contributing to these narratives, albeit in a contentious way.
Burna Boy's offer to Bethel Okechukwu raises issues regarding celebrity generosity, whether it is entirely humanitarian or part of a public relations strategy.

As of now, it is unclear if this disagreement will result in a lasting schism or will melt into a lesson in healing. What is obvious is that it has offered a rich tapestry for debates about fame, responsibility, and the role of social media in molding public narratives. For those who follow, it serves as a reminder of the intricate layers underlying the gloss of celebrity life, where personal pride, public image, and societal expectations all intersect.

In this story, we are not simply witnesses to a quarrel, but also participants in a larger discussion about what it means to be a public figure in today's digital age.

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